A wild flourish of a movie, Almodóvar’s fourth feature revels in the mid-60′s Godardian toolbox while aesthetically honing in on the malaise of an urban housewife in Madrid. That may sound dark, but this is Pedro we’re talking here, so the film’s fishing-line of a plot serves more as an excuse for sex jokes, absurdist twists, and visual inventiveness. What Have I Done To Deserve This? shows Almodóvar at peak critical experimentation: every frame, color, and camera swirl is intricately ...
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